Teen poets compete in New Orleans Youth Slam, hope for HBO Brave New Voices
Internationally-acclaimed spoken word artist Taalam Acey will perform as a special guest at New Orleans Youth Slam poetry finals tomorrow night. The teen 2009 finalists compete for a chance join other poets this summer at YouthSpeak’s Brave New Voices Festival, the spoken word competition upon which Russell Simmons’s, Brave New Voices HBO show is based.
The final NOYS poetry slam beings at 6:00 PM, tomorrow night, April 15, at the Ashé Cultural Arts Center, NOLA, 1712 Oretha Castle Haley Blvd, New Orleans, Louisiana 70113. Cost: $5.00. Call (504) 569-9070 for more information or visit the center’s website here.
The website address for NOYS is wordplayno.org, where you can view the list of NOLA/NOYS finalists.
From a news release posted at Arts, Social Justice, & Recovery:”
The Finale will be hosted by Hollywood, welcoming DJ Raj Smoove, an all-star panel of judges, performances by members of the 2008 NOYS team, and a special performance by world renowned Taalam Acey. The Finale is also a fundraiser to support NOYS in their endeavors, including travel to the national poetry competition in Chicago, Brave New Voices.
You may have seen ads for Russell Simmons’s HBO show Brave New Voices. The site describes the project this way:
All over the United States, a new generation of poets is emerging. This new HBO series captures teenagers picking up the pen and taking hold of the microphone with passion, intelligence, creativity, honesty and power. These voices of 21st Century America transcend race, class, gender, orientation, and red state/blue state politics as they show us all what the next generation of leaders looks and sounds like.
Brave New Voices is a new seven-part series that features teenage poets and their mentors from San Francisco, Philadelphia, New York, Santa Fe, Ft. Lauderdale, Honolulu and Ann Arbor as they prepare for Youth Speaks’ 2008 Brave New Voices International Youth Poetry Slam Finals.
Queen Latifah narrates the Brave New Voices film segments on HBO.
After reading more about the show at Bossip, I gather that what you’ll see on HBO is the 2008 national competition. BNV airs Sundays at 10:00 PM CST, but you can watch clips here.
If you’ve never seen a live poetry slam, then catch tomorrow night’s NOLA finals. However, Taalam Acey is a professional poet and worth seeing all by himself.
Acey also has a blog called, Taalam Acey Until 6am or Whenever You Leave where you can watch clips of him performing. Here’s the poet reciting his poem “She Conjurez,” a love poem. In it he says his lover is “like New Orleans, constantly calling me back” and you haven’t seen him alive until you’ve seen him with her:
CRISIS IN THE SOUL II
“Crisis in the soul” In Chinua Achebe’s No Longer At Ease
Dr. Jaya Lakshmi Rao V., Mrs A.V. N. College, Visakhapatnam, Andhra Pradesh
Obi is a sensible young man who could question the unjust authority of Mr. Green, his English boss. He was stable enough to thwart the practice of accepting bribes in his personal life, and was modest enough not to fall for the vanities usually associated with a foreign returned. Yet Obi fails ultimately, because on the one hand unlike his heroic grandfather Okonkwo, he was not decisive enough in his actions, and on the other, he lived at a time when an individual is rendered impotent to be firm about anything in life, either in personal affairs such as marriage or in public life where he cannot enforce freedom of his will. Here lies the ‘crisis’ of his life.
On the domestic front, Obi testifies to the Ibo adage, ‘ Mother is supreme.’ He holds his mother in high regard and is constantly aware of her sacrificing nature. Yet, her vehement disapproval of his intended marriage to Clara, an Osu girl, has him in shocked dismay. It is when Obi is forced to choose between his mother and Clara that he falls prey to emotional turmoil and loses his moral balance and his ideals start disintegrating. After returning from his village to Lagos, with his equanimity in shreds, Obi succumbs to the later events. He gets caught red-handed while accepting a bribe and is forced to face trial in a court of justice. Yet Obi is arguably strong. To cite few instances; his last minute decision to prevent Clara from her proposed abortion, and his belated idea to marry her, his reluctance to recommend those candidates who fall short of the minimum qualification to merit a scholarship and finally the betrayal of ‘ treacherous tears’ on being called a young man of ‘education’ and ‘promise’ in the court by the judge.
Obi Okonkwo, the twentieth century magus, when he journeys home has certain definite ideas regarding his future. What he fails to foresee however, is to find himself in that slope of instability wherein a brilliant man like him would stand confounded. He is unable to acknowledge faith in the ‘old dispensation’ the norms of which are in the throes of panic caused by the advent of ‘ alien people clutching their gods’. He is equally restive in the milieu of urban Lagos because he is unable to conform to the ideas of the west. In a society which is predominantly materialistic, he is forced to follow such modes of living as maintaining a chauffeur-driven car, upkeep of a modern home, luxury of frequenting nightclubs, paying taxes besides expenses involving the education of his brothers and sisters and contributing to the family finances.
The life and career of Obi Okonkwo prove that the advent of white civilization ‘loosed’ ‘ blood-dimmed tide’ of anarchy on African life. No wonder people like Obi who cannot put up with their disillusioning present, and would be ‘glad of another death’. Disillusion with the native life, which is still in the vice-like grip of outdated ideas and the futility of western education that proved ineffectual in closing the gulf of difference between caste and outcaste-this predicament of Obi and his likes is poignantly voiced in Okara’s poem thus:
When at break of day at river-side
I hear of jungle drums….
Then I hear a wailing piano
Solo speaking of complex ways. (Gleason, 143)
The common struggle of educated Africans, who stand confounded between acceptance and rejection, is evocatively portrayed in the torn character of Obi Okonkwo. He feels ‘ terrible’ after accepting his first bribe. But he was not able to fight the ‘ practice’. He could not find for himself a balanced scale of values with the help of which he would have retained his integrity.
In the modern Nigerian society, unlike in the tribal communities, the “sharing” of any benefit took place only among the top people. As a result, everyone tries to get to the top through the disreputable means of offering bribes.
In Nigeria the government was ‘ they’. It had nothing to do with you or me. It was an alien institution and people’s business was to get much from it as they could without getting into trouble”. (Achebe, No Longer at Ease, 29-30)
An interesting twist in the matter is that, it may cause more trouble by refusing a bribe than by accepting it. There is a method to this madness too. As a minister of state says, the trouble was not in the receiving of the bribe, but failing to do the thing for which the bribe was given (Achebe, No Longer at Ease, 80).
Thus one evil paves way to another. Even a good custom could outlive its purpose and value and thus become corrupt, a symbol of anarchy in a different situation. The offering of the ‘kola nut’ that signified politeness and warmth towards a visitor in the traditional society for instance, is equal to the offering of bribe outside the traditional context or Obi being referred to as the only ‘palm fruit’ of the village.
The village code of conduct has been violated but a more embracing and a bigger one has not been found. (Achebe, No Longer at Ease, 2.)
While old values like courage and valour are no longer valid, the educated native’s condition like that of Obi is charged with tragic undertones and is worse than that of his brothers in the bush. Achebe comments,
His abortive effort at education and culture though leaving him totally unredeemed and unregenerated had nonetheless done something to him- it had deprived him of his links with his own people whom he no longer even understood and who certainly wanted none of his dissatisfaction or pretension. (“Colonialist Criticism,” 5)
Where then is the solution for the likes of Obi whom we see by the dozen in modern societies? It is perhaps in evolving a culture of their own from their heritage handed down by generations, leavened by cosmopolitan experience, a result of close encounters with the colonizers.
As the doyen among Indian philosophers S. Radhakrishnan says,
Life is like a game of bridge. The players are dealt cards unknown to them. But they can play the game well or badly. A skilful player may have a bad deal and yet win the game, whereas a bad player may get a good and yet make a mess of it. (49)
People like Obi Okonkwo can escape suffering ‘crisis in the soul’ by making right choices like good bridge players. Their timely decisions and exercising control and freedom to expand according to the changing times and needs of an ever growing society can help them get out of the iron hold of dogmas and retain their equanimity.
